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This conversation took place in Billy’s shop, a room adjoining the wood-house and given over to his use. Nothing short of the world in the second verse of Genesis was equal to the chaos of that place. Every conceivable scrap and job lot of “truck” was there in a jumbled heap; and Billy was never happier than when mussing it over in search of “material”; in greasy overalls and crownless hat, whistling merrily, bringing forth to substance and form the inventions of his busy brain.,

In overalls, the color of which was entirely unrecognizable, Moses began to help his father carry through the house sooty lengths of pipe. Very carefully and gingerly they stepped as the eagle eye of Mrs. Wopp was upon them, and they knew that a full battery of reprimands and warnings was at hand.,

“Them’s thum,” was the sophisticated answer.,

The scene ended in a crash of music; the curtain fell to a house wild with cheering. Edith and the principal performers were called again and again before the curtain. It was a generous, appreciative audience, giving its heartiest approval by rising.

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Moses’ opinion, repressed, however, in his bursting bosom, was of a like complexion, only much more vivid. He was hesitating between the liquid verge of tears and the lambent verge of profane utterance.,

“Every tub must stan’ on its own bottom,” commented Mrs. Wopp. But even as she spoke, an unmistakable expression of gratified pride spread over her large motherly countenance.,

The pianist took a long look at Nell who had been visibly affected by his playing. Misgivings that date back to Eden were leaping into life in his breast. He had been in love more times than he could count, but here was the girl after all. He began a Scherzo of his own composition. Youth gathering flowers at the open mouth of a volcano. The melody was born to live forever. He was a genius. Now Nell knew it and her soul worshipped genius. Howard Eliot was far from her thoughts as she listened to the enchanting chain of melodies that poured forth.,

This interlude gave Mrs. Wopp an opportunity to recover her equilibrium which had been disturbed by her vivid conception and realistic description of the storm, all of which had necessitated startling gestures and a swaying, rocking movement of the body, illustrative of a ship in distress.